Thursday, 28 February 2013

'You Will See' by Berry Shaba (Book Review)



Book Review
Title: You Will See
Author: Berry Shaba
Illustrator: Berry Shaba
Book Format: eBook
Publisher: WSIC EBooks Ltd, Canada
Genre: Children’s story
Year of publication: 2012
 (A Review by Elijah Mwashayenyi)

This is a story about Jumbo, an elephant who was so arrogant because of his size and strength that he felt he could not listen to anyone. He basically trampled on everybody’s rights. What Jumbo did not realise was that no matter how small your neighbour might be he/she has rights too and can influence the course of your life. 

A nice children’s story which gives a strong message that cuts across different age groups. This story teaches that if a person does not listen to advice he/she will end up in problems just as Jumbo did. Berry Shaba tells the story in simple and straight forward language that makes it easy to understand but at the same time is so absorbing that you want to hear what happened next. It makes good reading. I recommend it for the primary school libraries.

Thursday, 22 November 2012

Book Review - 'The Swing of Death' a novel by Elijah Mwashayenyi(EBook)

Book Review

Title: The Swing of Death
Author: Elijah Mwashayenyi
Book Format: eBook
Publisher: WSIC EBooks Ltd, Canada
Pages: 81
Genre: Fiction
Year of publication: 2012
Reviewed by Berry Shaba
…………………………………………………

The first time I came across Elijah Mwashayenyi’s writing was way back in the late 90s at the Zimbabwe International Book Fair during my days as a high school English Language teacher. Even to this day I vividly recall that day when I picked out his novel Over My Dead Body published by College Press under their Spellbinders series. After reading the blurb and the first chapter, I decided to include it in the school library’s list.

I made a good choice for the novel turned out to be a favourite of many students. As fate would have it, I met the man in Botswana in 2008. I was not surprised. He was exactly what I thought he would be - bubbly humorous, observant and an incisive judge of character.
These are the traits he brings to his writing. This year (2012), Elijah published another racy tale in eBook format – The Swing of Death. The following epigram (p.75) written in true Elijah Mwashayenyi style:

“I’m not falling for that one just yet. First let’s talk about you.”
“What is there to talk about? I was bitten by a Black Mamba, went into a coma, snapped out of it six weeks later and fell in love.”

Like a bona fide story teller, Elijah has a penchant for a turn of phrase. The man is a typical wordsmith. He also has a way with the metaphor which is simply delightful. The Swing Of Death – which is also an apt title, is a tale about a catastrophic encounter with arguably the most dangerous snake in the African bhundu – the black mamba. The author sums his story, “John knew that the African bush took no prisoners. It was by pure accident that he got caught by the swing of a Black Mamba. It was through sheer coincidence that a twelve-year old bushwhacker happened to be in the neighbourhood. It was due to fate that Priscilla found herself tangled in the nightmare of a total stranger. By the time the destinies of these three people became apparent, a lot of other things were beginning to unfold.”

The encounter with the mamba is told is a spine-chilling graphic way that only a storyteller of Elijah’s calibre can. The finality of John (the protagonist) situation moves the reader to curse fate which has brought John that day to that neck of woods and especially to that particular rock where he met his fate.

“So man and reptile stood there on either side of the rock, the latter daring the former to make a move. Blood, mixed with some poison started to drip from the two fang marks on his arm. John did not even look at this. Although he knew that his life-line was draining away he dared not take his eyes off the vicious snake. He did not have fancy ideas about his fate. He knew that his bushwhacker days had come to an end.”

The novel The Swing of Death is divided into eight appropriately titled chapters - Chapter One: A Deadly Encounter, Chapter Two: The Bushwhackers, Chapter Three: The Praying Mantis, Chapter Four: The Shadow of Death, Chapter Five: The Swing of Death, Chapter Six: The Man Who Came Back from the Cold, Chapter Seven: Love is in the Air and lastly Chapter Eight: The Final Twist.
The Swing of Death is a fascinating story written by a good story teller who just loves telling a jolly good tale.

This is Elijah Mwashayenyi’s third novel. He has written – Over My Dead Body, Tears of the San (eBook). In addition, he has published horticulture articles. Elijah holds a MSc. Tropical & Subtropical Horticulture and Crop Science (University of London), BSc. Agriculture (University of Zimbabwe) and a Certificate in Vegetable Production (Tsukuba, Japan). He is currently working for an NGO in Botswana.








Wednesday, 21 November 2012

TAYA 2012


TAYA 2012 Ceremony

Hard work, effort and creativity were acknowledged and celebrated at the ninth edition of the Thapong Artist of the Year Award ceremony held at the Thapong Visual Arts Centre, Gaborone on November 15 2012. The premier annual art event was well-attended by artists and art lovers. Since its beginnings in 2004, this event has grown to become a major event on Botswana art scene.

This year’s edition which attracted a record 143 entries saw Tumelo Thuthuka walk away with the coveted Thapong Artist of the Year Award 2012. For his efforts and creativity, Tumelo pocketed a P30 000 cash prize sponsored by the Diamond Trading Company Botswana which contributed a total of P100 000 to the prizes. Tumelo’s mixed media installation – The Forbidden Fruit – impressed the judges as one of the pieces that displayed a high level of originality and concept development as well as displaying evidence that the artist mastered the media.

The Forbidden Fruit by Tumelo Thuthuka

During his acceptance speech, Tumelo told the audience that the concept of his installation is drawn from the bible. He added that his piece interrogates issues of sexuality, health and food, especially the GMO versus organic food issue.

Speaking after the award ceremony, the co-ordinator of Thapong Visual Arts Centre, Reginald Bakwena, said that the last time an installation clichéd a top award was in 2009 TAYA. He explained, “Our artists are doing a good job in pushing the boundaries and globalizing our art. Most importantly it is exciting that our artists are grasping different concepts and techniques.”

Ompatile's Herero(L) and Hollow(R)

The second prize of P20 000 went to Ompatile Sebuelo for the pottery piece - Herero Woman. The Young Artist Award (18-35 years) went to the prolific painter Wilson Ngoni. His oil on canvas painting, Asking the Mountains, won him a cool P15 000 cash which was accepted on his behalf by his manager Charlotte-Marie Callins.


Wilson Ngoni's Asking The Mountains(Oil on canvas)

The Highly Recommended Award with a prize of P5 000 for each winner went to: Peter Van Nell (A Journey), Ogopoleng Kgomoethata (Mystery Photo With Chair), Victor Leshomo(30 Years, graphic poster), and Olemogeng Maaramela/Qeqhao Moses (Xgane, lino print). The centre’s co-ordinator said that this award was introduced this year following suggestions from artists, members and friends of Thapong.

Among the artists who received Special Mention Award was Keatlaretse Kate Kwati whose Single Mother installation was just as thought-provoking as her Try Walking In My Shoes installation piece which was part of the ‘Threads 2’ women’s group exhibition held recently at the Frame Gallery in Gaborone.

The TAYA Media Award 2012, sponsored by Mascom, for the journalist who extensively covered Thapong activities throughout 2012 was given to Monkagedi Gaotlhobogwe (Mmegi/Monitor) and ha d a prize of P6500. Segametsi Kebonang of Daily News went home with P4000.

       The chief judge,Kentse Bogatsu, said the judges’ points of reference were: 
       
       - originality (style, approach and content)
·         - mastery of media
·         - concept development (did the artist actually think through the idea and is there any interaction between the artist and the work)
·         - presentation

The judges noted that there has been an improvement in the numbers of participants in TAYA. Also, there has been an overall growth of 27% in the entries this year. The adults’ entries rose from 37% (2011) to 67% this year while the male entries rose by 34% from 78 to 118. The TAYA 2012 panel of judges was made up of Kentse Bogatsu, Lesiga Philip Segola, Abel Manatsha and Den Sibanda.
Some notable artists who participated in TAYA 2012 included Ziki Kraai, Goemeone Modisane (young brother to award-winning artist Mogorosi Modisane who held a solo exhibition – ‘My Spear’ in October), Joseph Piet, Roger Brown (who recently had a solo exhibition – Botswana Through My Eyes) and Pramod Kumar.

Guardian - 30years by Victor Leshomo(graphic design poster)
The curator for Thapong Artist of the Year Award 2012 was the renowned artist Philip Segola.  This year’s TAYA was sponsored by Diamond Trading Company Botswana, Botswana Development Corporation, Mascom, Botswana Telecommunications Authority, Department of Arts and Culture and the Embassy of France to Botswana. 


TAYA 2012 Special Mention



Patrick Matlapeng
“Comfort and Discomfort of Life” Installation Piece
Elijah Mwanza
Riding Horses” Painting


Keatlaretse Kwati
Installation Piece,” Absent Father Figure”
Wendy Borrelo
“The Road home” Painting


Onkemetse Lesemela
“Malaysia”Charcoal portrait drawings
Christine Stolhefer
Sculpture
Willy Pulaetsile

Rebecca de Figueredo
Water color
Shepherd Ndudzo
Sculpture



  TAYA 2012 photo gallery










Water Colour by Rebecca De Figueiredo
Horsing About Elijah Mwanza(oil on canvas)











Heaven Chair/Mystery photo with chair by Ogopoleng

Christian Ndudzo's untitled metal sculpture

Ulf Nermark's untitled photograph

Kefilwe Pouk Mokopane's untitled oil on canvas

Natural Selection by Christiane Stolhofer,(mophane)

Sherperd Ndudzo's Fashion Lady (wood)
Olemogeng Maaramela/Qeqhao Moses (Xgane, lino print)